Ghost Riders in the Sky / Pat Derry, Marty Robbins, Johnny Cash, Willie Nelson.
Duncan Renaldo, Bob Livingston, Ray Hatton
The 3 Mesquiteers / Western Film Posters 1940
The 3 Mesquiteers made 8 Serial episodes 1940, but this post was a tuff project. A lot of the 1940 images just weren’t that good – and hard to find. They also required a lot of editing. They were beaten up pretty badly. I’ve injected a few other images to make the post worthy.
The original poster was a mess.
A rather odd poster. Boxers?
A lobby card.
That old soft spot.
Works for me.
Robert Livingston got Top Bill.
Duncan Renaldo – who later became the Cisco Kid!
Colorized by My Favorite Westerns
All for one …
The 3 Mesquiteers had several personnel changes over the years and just kept on riding. This new edition retained Bob Livingston and brought in Bob Steele and Rufe Davis.
Louse Brooks – Pandora’s Box / Orchestral Manoeuvres In The Dark
The Three Mesquiteers: Overland Stage Raiders (1938)
Overland Stage Raiders is perhaps most famous for being the last film that Louise Brooks appeared in.
Louise Brooks on John Wayne:
“This is no actor but the hero of all mythology miraculously brought to life… John was, in fact,
that which Henry James defined as the greatest of all works of art – a purely beautiful being.”
IMDB Trivia:
“This was the final film of Louise Brooks. NOTE: Contrary to popular belief,
this was not intended to be her “comeback” film;
she made it because she needed the money. She was paid $300 (equal to $5180,
adjusted for inflation in 2017) for the film.
Not long after it was released, she was found working as a salesgirl at Saks Fifth Avenue
at a salary of $40 (equivalent to $690 in ’17) a week.”
Much could (and has) been written about Louise. Let’s say was a beautiful and controversial Star
and still has a large following of admirers.
The 3 Mesquiteers (1938 Edition) John Wayne, Ray Corrigan, Max Terhune with Louise Brooks
It puzzles me that Overland Stage Raiders plays so loosely with Western Movie traditions by using buses and planes, etc.
but then fail to exploit Louise Brooks immense charisma and sex appeal???
But lots of things puzzle me.
“I have been taking stock of my 50 years since I left Wichita. How I have existed fills me with horror for I failed everything. Spelling, arithmetic, writing, swimming, tennis, golf, dancing, singing, acting, wife, mistress, whore, friend, even cooking. And I do not excuse myself with the usual escape of not trying. I tried with all my heart.”
– Louise Brooks
If there’s any one thing you could say about Louise it was that she had an incredible
amount of that mystical substance called Charisma.
1906 – 1985
Judge for yourself.
I could easily post about 100 pics of Louise.
Her short bobbed hairstyle was her trademark sensation.
Imitated by many – achieved by few
“A well dressed woman, even though her purse is painfully empty, can conquer the world.”
– Louise Brooks
She starred in seventeen silent films and eight sound films.
On February 6, 1932, she filed for bankruptcy and began dancing in nightclubs to earn a living.
By 1946, she had to take a $40-a-week job as a sales girl at Saks Fifth Avenue to make a living.
“Love is a publicity stunt, and making love – after the first curious raptures –
is only another petulant way to pass the time waiting for the studio to call.”
– Louise Brooks
Many photos of Louise have been colorized,
but I think the monochromes are still the best.
“The great art of films does not consist in descriptive movement of face and body,
but in the movements of thought and soul transmitted in a kind of intense isolation.”
– Louise Brooks
She left her home at age 16 to join a modern dance company.
“I have a gift for enraging people, but if I ever bore you, it’ll be with a knife.”
– Louise Brooks
“In my dreams I am not crippled. In my dreams, I dance,”
– Louise Brooks
The Three Mesquiteers: Overland Stage Raiders (1938)
1938
The Great Depression is ending.
Franklin D. Roosevelt is US President.
Hitler’s Third Reich marches into Austria.
Howard Hughes flys Round the world in 3 days.
Orson Welles’s broadcasts The War of the Worlds.
Seabiscuit beats War Admiral at Pimlico.
A gallon of Gas costs 10 cents.
Douglas Fairbanks dies.
Evel Knievel is born.
The 3 Mesquiteers (1938 Edition) John Wayne, Ray Corrigan, Max Terhune with Louise Brooks
The Three Mesquiteers: Overland Stage Raiders (1938)
Consider this a review. I know these B grade Serial Westerns are often looked back on with fondness by some folks. But not by me. As an 8 year old kid watching Westerns every Saturday morning in 1956, I gotta tell ya, this is the last thing I wanted to see. They seemed to contain everything that I figured shouldn’t be in a Western: Dolled up Cowboys wearing little kerchiefs; often singing with some sappy sidekick; cars! trucks!! buses!!! airplanes???!!!!; and Ventriloquist dummies! MY GOD! What kind of Western is that!! ?? Turned my stomach. I wanted to see Rory Calhoun or Randolph Scott or Audie Murphy. Anybody but this stuff. This definitely wasn’t the Golden Era of Westerns.
Fortunately!!! this would soon be coming to a merciful end 1939 when Director John Ford Directed Stagecoach (Starring John Wayne). Ford saw that Westerns could be legitimate Art. So he did it. And created some Classics: Stagecoach, My Darling Clementine, … This changed everything. Oh Yeah things still occasionally fell back in formula pulp, but there was more than enough good stuff on the way.
Pals of the Saddle / by “Just Me and Dad” The Cantrell Family of Springfield MO.
Back about February 6, 2017, I left off my series of posts called John Wayne Western Filmography.
I had progressively worked through most of John’s early Westerns
and left off after Pals of the Saddle (1938).
Amongst all that I had done posts or Rio Bravo (1959 )and The Shootist (1976)
along with The Merchandising of John Wayne: Booze, Smokes …
don’t think I’ve done John’s Guns yet.
I’ll get to that one day.
Pals of the Saddle / The Overstake Sisters c.1936
John Wayne Early Westerns
At that time I had done profiles on these early John Wayne Westerns:
1930
The Big Trail
1931
The Range Feud
1932
Two-Fisted Law
Texas Cyclone
Ride Him Cowboy
Haunted Gold
The Big Stampede
1933
The Telegraph Trail
Somewhere In Sonora
Sagebrush Trail
Riders of Destiny
The Man From Monterey
1934
West of The Divide
The Trail Beyond
The Star Packer
Randy Rides Alone
The Man From Utah
The Lucky Texan
The Lawless Frontier
Blue Steel
Neath The Arizona Skies
1935
Westward Ho
Texas Terror
Rainbow Valley
Paradise Canyon
The New Frontier
Lawless Range
The Desert Trail
The Dawn Rider
1936
Winds Of The Wasteland
The Lonely Trail
The Lawless Nineties
King of The Pecos
1937
California Straight Ahead
1938
Born to The West
Santa Fe Stampede
Red River Range
Pals of The Saddle
Early Westerns yet to be covered:
Overland Stage Raiders (1938)
1939
Wyoming Outlaw
Three Texas Steers
The Night Riders
New Frontier
Allegheny Uprising
Stagecoach
It’s not likely I’ll stay on track this time either,
but we’ll venture forth anyway.
BEAUTIFUL AS OUR WOODS AND ROLLING HILLS. STRONG AS THE RUGGED HEARTS THAT LIVE AMONG THEM
John Wayne was 34 in 1941. Iconic. This is a pretty famous image of John. Wayne was about as photogenic as you get.
I’m going to say that’s the same kind of rifle John used in Stagecoach in 1948. The lever loop is larger … but it’s the same kind of rifle.
Trivia (IMDB)
Shepherd of the Hills was the first film in which John Wayne worked with director Henry Hathaway. They didn’t work together again for another 19 years and then in the Sixties did four films culminating with Wayne’s Oscar winning performance in True Grit.
The Shepherd of the Hills is is the first John Wayne film in Technicolor. A high budget film, a rarity in the Depression-era.
Henry Hathaway directs this first talkie remake of two prior films versions of The Shepherd of the Hills filmed in 1919 and 1928.
The Hayes Office were shocked and appalled by the scene in which Sammy (Betty Field) removes her shirt and displays her bare back to the camera. Director Henry Hathaway assured the Office that it was actually a man doubling for Betty Field during that particular moment. Field, as well as John Wayne, corroborated this. Years later, Field revealed that it was indeed her own bare back that was shown.
The original poster was a mess.
Leaving Fen behind.
