“What are you squeezin’ that watch for?
Squeezin’ that watch ain’t gonna stop time.”
Glenn Ford as Ben Wade / 3:10 to Yuma
Quiet on the set! Master at Work …
One critic has noted the likely influences of German Expressionist film makers in 3:10 to Yuma. Such insight is beyond my ken – so it’s much appreciated. Other, closer to home influences, are more obvious, as from Fred Zinnemann’s High Noon and John Ford’s Classics Stagecoach, My Darling Clementine … others.
No color? No Computer Generated Effects?
No problem.
All the unique virtues of Black and Film making are in evidence. Plus more:
high angle … low angle … wide angle … echo shots … close ups … lighting … shot framing … scene composition … dramatic use of Light/Dark/Shadow … Direction …
Nearly every shot in 310 to Yuma is crafted … seamlessly and unpretentiously integrated.
Daves knew it all – used it all …
3:10 to Yuma: Western Classic.
That’s a wrap.
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