Tag Archives: Marlon Brando

One-Eyed Jacks / 1961 / Part 5 / The Cast / Brando’s Westerns

25 Aug

Marlon Brando’s (reworked) Westerns

Thom Hickey over at The Immortal Jukebox (https://theimmortaljukebox.com/) just posted a LIKE on a post I did back in 2013 called Brando’s Western Trilogy. (Thanks Thom!)

However, that post needs some very serious editing. I blatantly omitted Viva Zapata (1952). This movie starred Brando, Jean Peters, and Anthony Quinn – and was Directed by Elia Kazan with a screenplay written by John Steinbeck. If you ever wonder if there really was something special about Brando just consider this: his second movie A Streetcar named Desire was also directed by Elia Kazan and the screenplay was written by Tennessee Williams. Viva Zapata was his third film – again Directed by Kazan – with the screenplay written by Steinbeck. That’s pretty amazing really.

Viva Zapata posters 1 Viva Zapata posters 2 Viva Zapata posters 3 Viva Zapata posters 4 Viva Zapata posters 5 Viva Zapata posters 6 Viva Zapata posters 7

Viva Zapata banner

Viva Zapata Brando

Viva Zapata Jean Peters

Jean Peters

Viva Zapata Anthony Quinn

Anthony Quinn

Viva Zapata Henry Silva

Henry Silva has a small part

Viva Zapata Brando 2


Kazan

Elia Kazan

From Internet Movie Database (IMDB): Kazan Directed 21 different actors in Oscar-nominated performances: James Dunn, Celeste Holm, Gregory Peck, Dorothy McGuire, Anne Revere, Jeanne Crain, Ethel Barrymore, Ethel Waters, Karl Malden, Vivien Leigh, Kim Hunter, Marlon Brando, Anthony Quinn, Eva Marie Saint, Lee J. Cobb, Rod Steiger, Jo Van Fleet, James Dean, Carroll Baker, Mildred Dunnock and Natalie Wood. Dunn, Holm, Malden, Leigh, Hunter, Quinn, Brando, Saint and Van Fleet all won Oscars for their performances in Kazan films.

Kazan Quotes on Brando (IMDB):

“To my way of thinking, his performance in On the Waterfront (1954) is the best male performance I’ve ever seen in my life.”

“He was deeply rebellious against the bourgeois spirit, the over-ordering of life.”

“Every word seemed not something memorized but the spontaneous expression of an inner experience – which is the level of work all actors strive to reach.”


Steinbeck

John Steinbeck

steinbeck film 2 steinbeck film 3 steinbeck filmsteinbeck film 4


Viva Zapata Academy Awards

Anthony Quinn won the 1952 Academy Award for Best Supporting Actor.

The film was also nominated for:

  • Best Actor in a Leading Role – Marlon Brando
  • Best Writing, Story and ScreenplayJohn Steinbeck
  • Best Art Direction – Set Decoration, Black-and-White – Lyle R. Wheeler, Leland Fuller, Thomas Little, Claude E. Carpenter
  • Best Music, Scoring of a Dramatic or Comedy Picture – Alex North

BAFTA Awards

Marlon Brando won the 1953 BAFTA Award for Best Foreign Actor. The film was also nominated for Best Film from any Source.

Cannes Film Festival

At the 1952 Cannes Film Festival, Brando won for Best Actor, while Elia Kazan was nominated for the Grand Prix du Festival International du Film.

Directors Guild of America

Elia Kazan was nominated for a DGA Award for Outstanding Directorial Achievement in Motion Pictures in 1953.

Golden Globe Award

Mildred Dunnock was nominated for Best Supporting Actress in 1953.


The Appaloosa (1966)

One of My Favorite Westerns

http://www.youtube.com/watch?v=1Oglpgqb52Q

The Appaloosa Poster

The Appaloosa - Brando 3 The Appaloosa - Brando 5The Appaloosa - Saxon Sombrero 4The Appaloosa - Sombrero 6

 


 Missouri Breaks 1976

the missoui breaks poster The Missouri Breaks - Brando 2 The Missouri Breaks Nickolson The Missouri Breaks - Harry Dean Stanton The Missouri Breaks - Randy Quaid The Missouri Breaks

One-Eyed Jacks / 1961 / Part 4 / Karl Malden

22 Aug


mireille-mathieu / canta-en-espac3a3c2b1ol-la-paloma

SIx Shooter Bar

Karl Malden

March 22, 1912 – July 1, 2009

One Eyed Jacks karl malden One Eyed Jacks karl malden 2 One Eyed Jacks karl malden 3 One Eyed Jacks karl malden and brandoSIx Shooter Bar

Malden also previously starred with Brando in
A Streetcar Named Desire (1951)
and
On the Waterfront (1954)

SIx Shooter Bar Malden Westerns

the gunfighter poster

the hanging tree poster

one eyed jacks poster

how the west was won postercheyenne autumn posternevada smith posterblue posterwild rovers poster

One-Eyed Jacks / 1961 / Part 3 / The Cast

22 Aug


me and my uncle / distant sons

SIx Shooter Bar

Marlon Brando
(1924–2004)

 Did the camera like this guy? 

The combination of Talent, Charisma, and Sex Appeal is hard to come by.
And when it is found, a silent prayer goes out:
“God, don’t let them screw it up.”

One Eyed Jacks Brando 2

Like a Roman God, by Jove!

One Eyed Jacks Brando

One Eyed Jacks Brando Life cover

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SIx Shooter BarOne Eyed Jacks Marlon Brando - The ContenderSIx Shooter BarOne Eyed Jacks Marlon Brando 14

 

One-Eyed Jacks / 1961 / Part 2

18 Aug


come a little bit closer / jay and the americans    

The Posters

One-Eyed Jacks poster 2One-Eyed Jacks poster 21

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One-Eyed Jacks poster 15 One-Eyed Jacks poster 16

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One-Eyed Jacks / 1961 / Part 1

16 Aug


Title Sound Track

“You may be a one eyed jack around here,
but I’ve seen the other side of your face.”

One Eyed Jacks

One Eyed Jacks

One Eyed Jacks Banner

One Eyed Jacks Marlon Brando One Eyed Jacks Malden Banner

Below: Full movie – not the restored version
from YouTube in English / 720 Resolution


One Eyed Jacks - IMDB reviewOne Eyed Jacks - Rotten Tomatoes reviewOne Eyed Jacks - AllMovie reviewONE EYED JACKS 5

One Eyed Jacks Restored …

15 Aug

One-Eyed Jacks / 1961

Brando rides again in restored Classic

One Eyed Jacks

One-Eyed Jacks / http://www.nziff.co.nz/2016/auckland/one-eyed-jacks/
Directed by Marlon Brando Retro
A singular Western rightfully restored for the big screen, Marlon Brando’s sole directorial effort and legendary film maudit arrives fresh from its enthusiastic reappraisal at Cannes.

Famously over-budget and severely trimmed by the studio, Marlon Brando’s sole foray into direction was a box office flop that remains a psychologically fascinating, visually stunning and too-seldom-seen entry into the Western genre. This stunning restoration by Universal Pictures and The Film Foundation was supervised by Steven Spielberg and Martin Scorsese. It comes to festival screens direct from its unveiling at Cannes.
One-Eyed Jacks was actually the last time Brando acted out of true commitment, an uncynical passion for the material, and he gives one of his best performances as the outlaw betrayed by a friend (Karl Malden), seeking vengeance and finding love with the villain’s stepdaughter. His direction is perceptive and effective – all the actors are uniformly excellent – evoking especially fine work from the newcomers, notably Pina Pellicer as the young woman who falls for him. Katy Jurado is fine as her mother; Malden, always good, is superbly ambiguous here, and Ben Johnson and Slim Pickens are wonderfully authentic.” — Peter Bogdanovich, Indiewire

“Fascinating to see Brando directing this revenge Western exactly… as he acts, so that the whole movie smoulders in a manner that is mean, moody and magnificent… The Freudian intentions lurking in the character conflicts and the card symbolism, the homosexual and Oedipal intimations, are underpinned by the extraordinary settings… The result, laced with some fine traditional sequences and stretches of masochistic violence, is a Western of remarkable though sometimes muddled power.” — Tom Milne, Time Out

Pistol Bar

One Eyed Jacks

“You may be a one-eyed jack around here,
but
I’ve seen the other side of your face.”

Left holding the bag by fellow bank robber Karl Malden, Marlon Brando’s Rio emerges from five years of rat-counting in the Sonoma pen, only to find his old buddy now a respected lawman, complete with wife Katy Jurado (High Noon) and step-daughter Pina Pellicer (the Mexican actress in a heartbreaking performance as Rio’s love interest, underlined by her suicide within four years). Brando’s only directorial effort was the Heaven’s Gate of its day, complete with firing of initial director Stanley Kubrick and co-scenarist Sam Peckinpah, millions of dollars in cost overruns, and a first cut running to five hours. Away from the hoopla, it can now be seen as a fresh approach to genre clichés; with numerous on-set improvisations; one of the great screen insults (“You scumsucking pig!”); and rare for a Western: seaside scenes, shot near Monterey. 4K DCP restoration. “What is extraordinary about it is that it proceeds in two contrasting styles. One is hard and realistic; the other is romantic and lush… as if it had been directed jointly by John Huston and Raoul Walsh.” – Bosley Crowther, The New York Times. “The most memorable scenes have a fierce masochistic intensity, as if Brando were taking the opportunity to punish himself for some unknown crime. The bizarre action is set off by the classic Hollywood iconography of the western landscape (photographed by Charles Lang).” – Dave Kehr. “The Freudian intentions lurking in the character conflicts and the card symbolism, the homosexual and Oedipal intimations, are underpinned by the extraordinary settings… with waves crashing portentously in the background, so that nature echoes the Romantic agony of a hero much given to brooding in corners or gazing out into space shrouded in his Byronic cape. The result is a Western of remarkable though sometimes muddled power.” – Tom Milne, Time Out (London).

http://filmforum.org

The Appaloosa … parting shots …

4 Feb

Et tu Brando …

Screenshots: The Appaloosa 

The Appaloosa - Brando

The Appaloosa – Brando
“Amigos, Gringos, Compadres …“

The Appaloosa - Brando

The Appaloosa – Brando
“This was the noblest Gringo of them all.”

The Appaloosa - Brando

The Appaloosa – Brando
“To be, or not to be … “

The Appaloosa - Brando

The Appaloosa – Brando
“Whether ’tis nobler in the mind …”

The Appaloosa - Brando

The Appaloosa – Brando
“Alas, poor Pedro! I knew him … “

“I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture.” ― Marlon BrandoSongs My Mother Taught Me

 

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