My Darling Clementine – A Ford Classic
My Darling Clementine – from Soundtrack
My Darling Clementine Trailer
Clanton’s Meet Earp
Earp Meets Holliday
John Ford … man of substance … man of vision …
“I am… a mushroom; On whom the dew of heaven drops now and then.” / John Ford
Documentary Biography: Directed by John Ford (1971)
“You can speak well if your tongue can deliver the message of your heart.” / John Ford
John Ford Western Filmography
Information edited from Screen Junkies: John Ford Western Movies – Jackie Barlow / http://www.screenjunkies.com/movies/genres-movies/westerns/john-ford-western-movies/
“Rider of the Law“ – 1919, black and white silent movie – Told of the adventures of the Texas Rangers.
“3 Bad Men” – 1926, Ford’s last silent western. Filmed in the Mojave Desert and Jackson Hole, Wyoming.
“Stagecoach“ – 1939, Ford’s first western with sound. Starring the unknown John Wayne, along with Claire Trevor, this movie is still the most admired and the most imitated of all the Hollywood movies.
“MoDrums Along the hawk“ – 1939, Ford’s first Technicolor movie. It co-starred Henry Fonda and Claudette Colbert.
“My Darling Clementine“ – 1946, romanticized version of the legend of Wyatt Earp and the gunfight at the O.K. Corral. Film’s starred Henry Fonda as Wyatt Earp, Victor Mature as Doc Holliday, and Linda Darnell.
“Fort Apache“ – 1948, The first of Ford’s “Cavalry Trilogy”. John Wayne, Henry Fonda, and also Shirley Temple in one of her last movie appearances. It was one of the first movies to present a sympathetic and authentic view of Native Americans.
“She Wore a Yellow Ribbon” – 1949, second of the “Cavalry Trilogy”. In Technicolor.
“Rio Grande“ – 1950, Third part of the “Cavalry Trilogy” starred John Wayne, Maureen O’Hara, and screen debut of Wayne’s son Patrick Wayne.
“The Searchers“ – 1956, The only western Ford made in the 1950′s besides “Rio Grande”, this movie was named “the greatest western of all time” by the American Film Institute in 2008. Featured the rising star Natalie Wood as well as Jeffrey Hunter, Vera Miles, Ward Bond, and others.
“The Man Who Shot Liberty Valance“ – 1962, said to be Ford’s last great movie. It starred John Wayne, Vera Miles, James Stewart, Edmund O’Brien, Andy Devine, Lee Marvin, Denver Pyle, and John Carradine.
“We do not inherit the land from our ancestors, we borrow it from our children.” / Navajo Proverb
John Ford’s Canvas
When you attend Art College, the first thing they do is take your colors away and lock ‘em up. Then they hand you a black crayon and a piece of white paper and say: “Shut up and Draw, pardner.”
And draw you do.
In 1917 John Ford was handed a black crayon and a camera – and between 1917 and 1927 he drew 62 black and white ‘moving pictures’. ’Silent films’ they called ‘em.
Some 40 of these ‘pictures’ were lost – basically thrown away. But in the process Ford learned the Mastery of composition, framing and direction.
Then, about 1928, somebody said: “Hey … maybe this guy can help us figure out how to use this thing called ‘Sound’.”
Wikipedia: “Stagecoach (1939) was Ford’s first western since 3 Bad Men in 1926, and it was his first with sound. Reputedly Orson Welles watched Stagecoach forty times in preparation for making Citizen Kane. It remains one of the most admired and imitated of all Hollywood movies, not least for its climactic stagecoach chase and the hair-raising horse-jumping scene, performed by the stuntman Yakima Canutt.”
Ultimately, in 1939, Ford finally got his colors back.
Wikipedia: ”Drums along the Mohawk (1939) was a lavish frontier drama co-starring Henry Fonda and Claudette Colbert it was also Ford’s first movie in color and included uncredited script contributions by William Faulkner. It was a big box-office success, grossing $1.25 million in its first year in the US and earning Edna May Oliver a Best Supporting Actress Oscar nomination for her performance.”
But Ford had learned something about Black and White – it could say things in dramatic ways that color often distracted from. So on occasion he went back to his black crayon and white slate, as in “The Man who shot Liberty Valence”.
So … pardon my colors.
My Darling Clementine / A Photo Essay
In my study of Journalism, Graphic Design and Fine Arts, I learned a simple lesson: “Keep your mouth shut and let the pictures do the talking.”
These ‘stills’ from My Darling Clementine speak loudly. My Darling Clementine probably contains more ‘Iconic Images’ than any other Western ever made. These are just a few:
My Darling Clementine Trivia:
- Director John Ford, who in his youth had known the real Wyatt Earp, claimed the way the OK Corral gunfight was staged in this film was the way it was explained to him by Earp himself, with a few exceptions.
- Tombstone, Arizona, is not located in Monument Valley. Director John Ford “placed” it there because Monument Valley is where he liked to film his Westerns.
- An alternate “preview” version of this film exists. In the 1970s, 20th Century Fox donated some film to the UCLA Film Archives. In 1994, it was discovered that the UCLA print was different from the one being shown on TV. It was about 8 minutes longer with minor variations throughout and a slightly different ending. Both this archival 103 or 104 minute version and the 97 minute release version are included on the Fox DVD released on January 6, 2004. The pre-release version print has additional footage and a different soundtrack from the released 1946 print and runs 103 minutes
- Henry Fonda’s first production after returning from U.S. Navy service in World War II.
- According to Henry Fonda in 1976 Darryl F. Zanuck’s first choice for Doc Holliday was James Stewart but he was overruled by John Ford who didn’t believe Stewart could do the part.
- John Ireland, who plays Billy Clanton in My Darling Clementine, played Johnny Ringo in Gunfight At The OK Corral.
- Vincent Price was considered for the role of Doc Holliday.