Most people in this world don’t have what I have.
Some are lucky to get even one meal a day. Yet I live in opulence. A Wonderful home. A Wonderful companion. Many Blessings. Too many to count.
But I try.
So I truly do give thanks. And like to express Good Will to All.
And I Thank you all for coming around this year. I hope that I’ve offered something
that adds something to You and your day.
My pleasure. My honor. And may we all pass our good fortune on to others.
I was saying to Cindy that I consider Burt Lancaster to be among the Top Western Movie Stars of all time – appearing in so many Classics that I’d place right up there with John Wayne.
Permit me to prove that.
The film received three nominations at the 1967 Academy Awards. Writer and director Richard Brooks, for Best Director and Best Writing (Adapted Screenplay) and cinematographer Conrad Hall, for Best Cinematography.
The film won two Motion Picture MagazineLaurel Awards in 1967, for Best Action Drama and Best Action Performance for Lee Marvin. In Germany, it was one of only four movies to receive a Golden Screen Award (the others were Doctor Zhivago, Marvelous Angelique
and You Only Live Twice) in 1967.
Burt Lancaster Western Filmography
1951 Vengeance Valley 1954 Apache / 1954Vera Cruz 1955 The Kentuckian / 1956The Rainmaker 1957Gunfight at the O.K. Corral / 1960The Unforgiven 1965 The Hallelujah Trail / 1966 The Professionals 1968 The Scalphunters / 1971 Lawman 1971 Valdez Is Coming / 1972 Ulzana’s Raid 1976 Buffalo Bill and the Indians / 1981 Cattle Annie and Little Britches
Not all gems – but the red ones are definite Classics.
Others are notable.
A very impressive Western Film legacy.
You want good Writing?
How about great Writing.
And great Actors to deliver it.
And if you’ve never seenThe Rainmaker … Shame on you.
The Spell of the Yukon / Robert Service / Hank Snow
The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.
– Jack London
THE CANADIAN PRESS/DARRYL DYCK
DAWSON CITY, Yukon — The founder of the legendary Sourtoe Cocktail in Dawson City, Yukon, has poured his final glass of the well-known whisky and pickled human toe drink. Dick Stevenson, the former bartender known by his nickname Captain Dick, has died. He was 89.
Stephen Lancaster, manager of the Dawson Hotel, where the Sourtoe Cocktail tradition continues, said Saturday patrons at the Sourdough Saloon and members of the community are deeply saddened by Stevenson’s passing Thursday in Whitehorse.
“When I walked into the bar last night, it was quite a sad feeling knowing that we lost somebody who was really important to the history of the place,” he said. “We are quite sad about it and want to honour him somehow, and we’re trying to figure out some way of doing that.”
Lancaster said the saloon has records of more than 93,000 brave customers who are members of the Sourtoe Cocktail Club started by Stevenson. “You can drink it fast, you can drink it slow, but your lips must touch the toe,” says the club membership motto, which involves drinking a shot of whisky from a glass that also contains a pickled human big toe. Lancaster said he expects the club to reach 100,000 members this summer.
Stevenson fit the image of a Yukon gold prospector, with his beard, cap and friendly and spirited demeanour, said Lancaster. “He’s exactly like he looks,” he said. “He’s a fun, friendly guy you just want to talk to and hear his stories. We almost want to have a moment of silence to honour what he’s done here.”
Stevenson came up with the drink idea in 1973 after finding a frost-bitten human toe preserved in a jar in a cabin he purchased. Lancaster said the Sourtoe Cocktail tradition will continue with Stevenson in the mix — his will asks his two big toes be preserved for future drinks.
I slept for 18 hours yesterday.
Not sure that’s my record, but that’s quite a nap. When I woke up my bedding was soaked from sweat. That used to mean my Flu was breaking. But I’m not so sure this time. It’s been 4 days. Rose caught it first. Coughing and vomiting. I’ve coughed so much my ribs and back are aching. Fever, headaches – it’s got it all. At least it didn’t reach pneumonia.
That’s when you know you’re really in trouble.
I hope to go back to work tomorrow.
Though it was definitely graphically gory at times, I liked this Series.
It has a lot of good things. Great Writing, Characters, Dialogue, Action … It was an all around high quality production. So I watched it the first 4 seasons. Until they killed off this guy:
It’s unquestioned STAR.
Vikings creator and writer Michael Hirst said that Fimmel was supposed to be knocked off at the end of Season One, but he was popular that he wrote him back in for three more seasons.
The Series is still excellent.But after Season 4 Ragnar’s large ghost hung over the Series like a dark cloak that couldn’t keep the reign out.
Did you ever hear my lecture on
NEVER CREATED. ONLY DISCOVERED.
There’s no formula.
If you find it, exploit it.
Star Power turns crap into Gold.
Don’t throw it away.
This means the Vikings might well have died after Season One if they had killed Fimmel off at that time.
But after Season Four they wanted to do something different.
They figured the other Stars could carry the axe.
And they’ve done a great job.
But they aren’t Fimmel.
OK Floki … Loki? …. ??
The Last Kingdom
You’re our last hope Alexander.
So what do we really know about the Vikings??? Well … we figure they didn’t really wear horns on their helmets. Other than that we know as much about them as we do
about the Mayans. Next to nothing.
As this video shows.
My personal question is:
How did a relatively small group of people defeat
army after army, country after country
and could have conquered all of Europe if they’d wanted to?
What superior warfare tactics/strategies did they know
that made them so formidable?
Along with Clint Eastwood’s Pale Rider, Lawrence Kasdan’s Silverado was supposed to breathe new life into the western genre in the mid-eighties. It failed to do so. Reviews were positive, the film was even nominated for two (minor) Academy Awards, but moviegoers where underwhelmed. It did a lot better when released on videocasette and was one of those movies that drew Hollywood’s attention to the new market.
The film’s story is classic western stuff: A cowboy named Emmett saves a man called Paden, who was left behind in the desert by bandits who had stolen all his possessions, including his horse and (worst of all) his hat. Emmett and Paden head for the town of Silverado, were Emmett was born. En route they pick up Emmett’s younger brother Jake, a womanizer and gunslinger, who invariably gets into trouble by courting the ladies and shooting their lovers (in self-defense, of course). They are joined by a fourth man, Mal, a former slave turned farmer, who is looking for the murderers of his father. The town of Silverado is dominated by the McKendriks clan, long-time enemies of Emmett’s and Jake’s family. The sheriff is one of Paden’s old ‘pals’, a guy with a very dubious background, and Mal also thinks the men he’s looking for are hiding out in the town of Silverado …
Silverado is a lot of fun to watch. The mosaic script with four leads and multiple storylines may cause some confusion, but there’s plenty of action and in spite of a running time of more than two hours the movie is over before you know it. But if a movie aspires to revive a moribund genre, it must shed a new light on traditional genre elements, and this is exactly what Silverado fails to do. Like I have stated before, movies reflect as much the time in which they were made as the time in which they are set. If Sam Peckinpah’s The Wild Bunchwas the prototypical American western of the late sixties, Silverado is the prototypical American western of the mid-eighties. It was not only made in the 80s, it breathes the 80s. No surprise if you know director Lawrence Kasdan contributed to the scripts of Raiders of the Lost Ark and The Empire strikes back. He called his own movie his ‘Western Raiders of the Lost Ark’.
The Sixties were a period of change and turmoil, and the best westerns from the late Sixties, early Seventies, were preoccupied with themes such as the closing of the frontier and the transition to a new era (The Wild Bunch, Monte Walsh), the outlaw as a folk hero (Butch Cassidy and the Sundance Kid, The Great Northfield Minnesota Raid) or the plight of the red man (Soldier Blue, Little Big Man, Ulzana’s Raid). The excessive violence in some of these movies was often interpreted as a reaction to the Vietnam war. It’s significant that several movies from the period featured juvenile character who were exposed to dangerous situations (The Culpepper Cattle Company, Bad Company).
Those movies weren’t all masterpieces, but they were thought-provoking, and dared to be dirty and violent. The American society was re-inventing itself, and so was that American genre par excellence, the western. The eighties were a decade characterized by a new national (nationalist) awareness. It also was a typical ‘bourgeois’ decade, hostile to true art. Don’t get this wrong: Art has no specific political color, it can be either left-wing or right-wing, but it is by definition challenging, thought-provoking. Like Roland Barthes stipulated in his classic study Mythologies, bourgeois society has two ways of dealing with art that challenges its nature: it either denies it, or tries to convert it. Silverado is very much a conversion, bourgeois style, of what the western had been in the previous decades. Instead of challenging and thought-provoking, Silverado is reassuring; it’s crammed with action, but it’s never dirty or nasty, it’s all clean fun for the entire family. People who usually do not love westerns, tend to love it more that fans of the genre. The four leads are fine (especially Costner, who still was some kind of ‘coming man’ in those days), but their motivations and actions are purely rhetorical. No wonder some of the supporting actors steal the show: Jeff Goldblume is well-cast as a perfidious card player and Brian Dennehy is a true delight as the corrupt sheriff of Silverado. There are also a nice cameo appearances by Linda Hunt and especially John Cleese as a sheriff who’s definitely not from these parts.
(1985 – Dir: Lawrence Kasdan – Cast: Kevin Kline (Paden), Scott Glenn (Emmett), Kevin Costner (Jake), Danny Glover (Mal), John Cleese, Jeff Goldblume, Rosanna Arquette, Brian Dennehy, Linda Hunt)
Nicely done Simon. This is a Favorite of mine. I’ve got to get it up there soon. Every time it’s on TV I can’t help but watch it. You’re right about hopes of reviving the popularity of Westerns. That may never happen. BUT I still say that most Directors and Actors want to do a Western some day. And they will. So Westerns are not dead. The main problem (IMO) is that some folks seem to think they have to re-invent the Western. Why? We still have a ton of great stories, yarns and great Western literature to draw from. All Movie worthy. Yet some are getting it right: ‘Unforgiven’, ‘True Grit’ ‘The Revenant’ … Westerns are still coming and always will.
– 19 years old – Failed to qualify for the US Open on 2 previous attempts. – Ranked 159th in the World before the Tournament
– Ranked No. 243 in the World Last Year – Odds makers overwhelmingly picked Serena Williams to beat Bianca
– Bianca wasn’t listening
We heard about your failed attempt to buy Greenland. (Some people are so unreasonable)
However Fear Not! Canada is wide open! Most everything in Canada is already owned by outside Countries. (No other Country in the World would permit this, but we’re pretty easy) SO! Help yourself! Below I’ve listed some deals you might be interested in. BUT you better hurry!!!! Because somebody else will probably snap them up while you’re procrastinating.