Published: Sun, December 29, 201
Tom Cruise shoots down Magnificent Seven remake
TOM CRUISE’s departure from a planned remake of the star-studded western has put the project back to square one
HOLLYWOOD studio MGM has “called in the cavalry” to rescue a planned remake of classic 1960 western The Magnificent Seven after Tom Cruise stunned producers by quitting.
Cruise, 51, blamed a personal “scheduling conflict” for his departure more than six months after agreeing to a lead role.
As he rode off into the sunset, studio bosses hired John Lee Hancock, who directed current box-office hit Saving Mr Banks, to re-write what was seen as a troubled script.
The turmoil comes at the end of a year in which the original Magnificent Seven was selected for preservation in the National Film Registry of America’s Library of Congress for being “culturally, historically or aesthetically significant”. It starred Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Brad Dexter and Horst Buchholz.
Yesterday a senior MGM source said: “Tom’s departure has thrown a real wrench in the wagon wheel.
“Now it’s a case of going right back to square one in terms of casting and having John Lee Hancock re-write the script from top to bottom. You might say he’s leading our cavalry on a rescue mission.
“We’re hoping that once John Lee has completed a first draft of a new script, we will be firmly back on track and in a position to attract some of Hollywood’s best-known actors.”
Hancock, a hugely respected Hollywood figure, is no stranger to the genre, having directed 2004’s Disney remake of another 1960 western classic, The Alamo.
Even before Cruise backed out, studio bosses had become concerned about committing a reported £100million-plus to the film. They saw rival Disney take a financial hit earlier this year as an equally costly remake of The Lone Ranger with Johnny Depp as Tonto, flopped.
Los Angeles-based media analyst Mike Raia insisted yesterday: “I believe the western can survive and even thrive as a genre.
“However, the onus is on the filmmakers to make their modern versions resonate with today’s younger audiences as well as older fans.”