The Man Who Shot Liberty Valance (1962)
“The next one … is right between the eyes.”
<iframe width=”640″ height=”360″ src=”http://www.youtube.com/embed/bN0onE09-8c?feature=player_detailpage” frameborder=”0″>
It’s often interesting to read reviews from when the time the film was originally released – and see how they bear up as to how the film is presently regarded.
Several movies that are now regarded as Classics were savagely ripped by reviewers of the day. But time often tells a different story. However …
Wikipedia tells us (http://en.wikipedia.org/wiki/The_Man_Who_Shot_Liberty_Valance)
“The Man Who Shot Liberty Valance was an instant hit when released in April 1962, thanks to its classic story and popular stars John Wayne and James Stewart. Produced on a budget of $3.2 million, the film grossed $8,000,000 at the box office, making it the 16th highest grossing film of 1962. Edith Head‘s costumes for the film were nominated for the Academy Award for Best Costume Design, one of the few westerns to ever be nominated for the award. The Man Who Shot Liberty Valance has continued its popularity through repeated television broadcasts and the rental market. It is also widely considered to be one of director John Ford‘s best westerns and generally ranks alongside Red River, The Searchers, The Big Trail, and Stagecoach as one of John Wayne‘s best films.”
The Man Who Shot Liberty Valance – Rotten Tomatoes Review
The Critics liked – and the People liked it.
Andy Devine and Woody Strode
Below: A nice video presentation with a nice rendition of song The Man Who Shot Liberty Valance written by songsters Burt Bacharach and Hal Davis.
Warning: possible huge spoilers … if you’ve never seen the movie.
When you attend Art College, the first thing they do is take your colors away and lock ’em up. Then they hand you a black crayon and a piece of white paper and say: “Shut up and Draw, pardner.”
And draw you do.
In 1917 John Ford was handed a black crayon and a camera – and between 1917 and 1927 he drew 62 black and white ‘moving pictures’. ‘Silent films’ they called ’em.
Some 40 of these ‘pictures’ were lost – basically thrown away. But in the process Ford learned the Mastery of composition, framing and direction.
Then, about 1928, somebody said: “Hey … maybe this guy can help us figure out how to use this thing called ‘Sound’.”
Wikipedia: “Stagecoach (1939) was Ford’s first western since 3 Bad Men in 1926, and it was his first with sound. Reputedly Orson Welles watched Stagecoach forty times in preparation for making Citizen Kane. It remains one of the most admired and imitated of all Hollywood movies, not least for its climactic stagecoach chase and the hair-raising horse-jumping scene, performed by the stuntman Yakima Canutt.”
Ultimately, in 1939, Ford finally got his colors:
Wikipedia: “Drums along the Mohawk (1939) was a lavish frontier drama co-starring Henry Fonda and Claudette Colbert it was also Ford’s first movie in color and included uncredited script contributions by William Faulkner. It was a big box-office success, grossing $1.25 million in its first year in the US and earning Edna May Oliver a Best Supporting Actress Oscar nomination for her performance.”
But Ford had learned something about Black and White – it could say things in dramatic ways that color often distracted from. So on occasion he went back to his black crayon and white slate, as in “The Man who shot Liberty Valence”.
So … pardon my colors.